Tamar Guimarães (b. 1967) works with film and other forms of time based media. Her work has been exhibited at international biennials, museums and art spaces such as the Belgian Pavilion of the 56th Venice Biennial (2015), the 31st São Paulo Biennial (2014), the 55th Venice Biennial, International Exhibition (2013), the 11th Sharjah Biennial (2013), the 29th São Paulo Biennial (2010), the 7th Gwangju Biennial (2008), the 3rd Guanghzhou Triennial (2008), the Guggenheim Museum, NY (2014), the SculptureCenter, NY(2013), SESC, São Paulo (2013), the Jeu de Paume Satellite, Paris (2012), Århus Kunstbygning (2012), Gasworks, London (2011), Frac Île-de-France / Le Plateau, Paris (2010) and Museu de Arte Moderna de São Paulo (2009) and CPH:DOX (2007 and 2013) among others.
Guimaraes was keynote speaker at the Specters, Hauntings and Archives, Univ. of Amsterdam (2009), Panel speaker at Images Film Festival and Experimental Media Congress, Toronto (2010), a speaker at the XIX Image Symposium: Bewitched System, The exorcising role of images, CA2M, Madrid (2012), at ‘Something you Should Know: Artistes et Producteurs Aujourd'hui’ at École des Hautes Études en Sciences Sociales) Paris, 2014, and at Copenhagen Art Fair (2015). Guimarães has written for Art Forum, Frieze, Mousse Magazine and Art Review.
Guimaraes has taught workshops at the Royal Danish Academy of Fine Arts in 2008, 2009 and 2010, and together with Katrine Dirckinck-Holmfeld, she co-organized a creative thesis writing seminar for PhD candidates at the Royal Danish Academy of Fine Arts and The PhD University of Copenhagen in 2014. Guimarães holds an M.A. from Mälmo Art Academy, an M.F.A. from the Royal Danish Academy of Fine Arts and was a studio fellow of the Whitney Independent Study Program (NY) in 2007/2008.