Artist Kristoffer Raasted is educated from the Royal Danish Academy of Fine Arts, Schools of Visual Arts in 2018 with a supplementary MFA in art theory from the Institute of Artistic Research and exchange semesters at École Nationale Supérieure des Beaux-Arts and Faculdade de Belas-Artes Ulisboa, and an internship period at Issue Project Room in New York. Raasted conducts artistic research in the intersectional field between sound, performance and installations and will commence the practice-based ph.d. project at the Royal Danish Academy of Fine Arts in september 2020. The PhD stipend is granted by the Novo Nordisk Foundation and is organized in a collaboration between the University of Copenhagen and The Academy of Fine Arts.
Kristoffer Raasted writes about the PhD project’s field of research:
New Connections: Queering the Radio Voice
“In my artistic practice, the research I conduct aims to generate new knowledge, insights, and works of art in the intersectional field of synthetic voices, queer studies, performance theory, technology studies, and anti-racism theory. Contemporary art is continually transforming, and to follow that development, I think the methods and theories flexibly must change as well. I engage both artistically and academically with podcasts, DJing, sound art, and art radio as cultural practices that provide a starting point for this research. Webcasting is both a way of presenting and documenting sound pieces. This function was traditionally taken care of by state-organized radio. Today, however, the documentation and broadcasting of experimental sound artworks is largely reliant on independent channels.
I want to research this dynamic by analyzing some of the online radio stations that serve this societal function today. As a practice-based and artistic research project, artistic activities such as participating in exhibitions, performing curations, lectures and artist talks are considered part of the PhD-project on equal terms with, for instance, publishing a peer reviewed article or attending a conference within academia.
The PhD project is a direct continuation of my prior research, which has mainly revolved around sound and performance art. I will establish an online radio station at the Royal Danish Academy of Fine Arts, which will serve the double function of documenting and communicating the artistic research to a wider public. The radio station will also be a useful resource in the production of artistic knowledge. I envisage a four-fold output for the PhD: an exhibition, a concluding broadcast, an article-based PhD thesis and a zine with contributions from the collaborators that have partaken in the radio programs. I want the radio station to be an open site for knowledge sharing, that can flexibly adapt to events in the art world that makes new ways of understanding things possible.
It is important to me, in making it as open a format as possible, and I see it as a way of ensuring a curious approach to running the radio channel, that the premise of the radio station is very clearly defined and communicated already at the launch of the radio. For one thing, I want the radio station to have a publicly communicated zero-tolerance for any type of discrimination. In a contemporary visual arts context, sound can be considered an in-between medium, which activates and interacts with many other research areas. With the radio show New Connections, I hope to build a network of listeners on the art scene.
I am incredibly grateful to receive this stipend from the Novo Nordisk Foundation, which enables a three-year period of concentrated studies in the research field that interests me the very most.”